{"product_id":"issue-134-paul-mccartney","title":"Clash Issue 134 - Paul McCartney","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c!-- wp:paragraph --\u003e\u003c\/p\u003e\n\u003cp\u003eOn a bright May afternoon, CLASH crosses Soho Square to arrive at MPL, the large Georgian townhouse that \u003cstrong\u003ePaul McCartney\u003c\/strong\u003e has kept as his London office since the breakup of The Beatles. Nothing quite prepares you for when the elevator doors open and Paul McCartney is standing there, amiably chatting to a secretary. \u003c\/p\u003e\n\u003cp\u003e\u003c!-- \/wp:paragraph --\u003e \u003c!-- wp:paragraph --\u003e\u003c\/p\u003e\n\u003cp\u003eWe’re here to talk about \u003cstrong\u003e‘The Boys of Dungeon Lane’,\u003c\/strong\u003e McCartney’s 18th solo album and first of new material since the lockdown-era ‘McCartney III’. Perhaps a reason why ‘The Boys of Dungeon Lane’ became a meditative exercise is that it was recorded as McCartney was fronting a series of retrospective projects: a touring exhibition of photographs he took in 1964, the Man On The Run documentary about his ‘Wings’ era, and Peter Jackson’s epic Get Back reappraisal of The Beatles’ ‘Let It Be’ sessions. \u003c\/p\u003e\n\u003cp\u003e\u003c!-- \/wp:paragraph --\u003e \u003c!-- wp:paragraph --\u003e\u003c\/p\u003e\n\u003cp\u003eIn a revelatory conversation, the icon muses on his fond reminiscences and working-class Mersey roots, working with Ringo, songwriting secrets, and the quiet, wistful triumph of his new work. \u003c\/p\u003e\n\u003cp\u003e\u003c!-- \/wp:paragraph --\u003e \u003c!-- wp:paragraph --\u003e\u003c\/p\u003e\n\u003cp\u003e“I didn’t mean to write a reflective album,” McCartney tells CLASH. “I didn’t realise it until quite a way in.” \u003c\/p\u003e\n\u003cp\u003e\u003c!-- \/wp:paragraph --\u003e \u003c!-- wp:paragraph --\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003ePre-order your copy now. \u003cmeta charset=\"utf-8\"\u003eMagazines will be shipping out from the UK from Friday 31st July 2026, please allow sufficient time for your copy to arrive if ordering internationally.\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c!-- \/wp:paragraph --\u003e \u003c!-- wp:paragraph --\u003e\u003c\/p\u003e\n\u003cp\u003eWords: \u003cstrong\u003eFergal Kinney\u003c\/strong\u003e\u003cbr\u003ePhotography: \u003cstrong\u003eMary McCartney\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c!-- \/wp:paragraph --\u003e\u003c\/p\u003e","brand":"Clash Magazine","offers":[{"title":"Default Title","offer_id":57069181436282,"sku":"388380000001","price":9.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2545\/5330\/files\/Clash_134_Cover1_PaulMcCartney.jpg?v=1784043327","url":"https:\/\/theclashshop.com\/products\/issue-134-paul-mccartney","provider":"CLASH Magazine","version":"1.0","type":"link"}